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Kabuto : Japanese Warrior’s Helmet
Kabuto (兜, 冑) is a helmet used with traditional Japanese armour as worn by samurai. It features a strong bowl, the "hachi", which protects the crown of the head, a suspeded series of articulated plates (the "shikoro") to protect the neck, and often a crest of the clan (mon).
A Kabuto was usually constructed from 3 to over a hundred metal plates, riveted together. The plates are usually arranged vertically, and radiate from an opening in the top called the "tehen" or "hachiman-za" (seat of the war god, hachiman). The original purpose of the tehen was for the warrior to pass his top knot through. Although this usage was largely abandoned after the kamakura-muromachi period, the tehen remained as a feature of most helmets, and was decorated with a "tehen kanamono", or ring of intricately worked soft metal bands surrounding the opening of the tehen. The rivets that secure the metal plates of the kabuto to each other could be raised, creating a form known as "hoshi-bachi," or hammered flat, leaving only the flanges of the plates protruding, a form known as "suji-bachi." Some of the finer helmets were signed by smiths, usually from one of several known families, such as the Myochin, Saotome, Haruta, Unkai, and Nagasone.
Another form of Kabuto is the "Kawari Kabuto," or "strange helmet." During the Momoyama period of intense civil warfare, the production of helmets was simplified to a 3 or four plate design that lacked many of the ornamental features of earlier helmets. To offset the plain, utilitarian form of the new helmet, and to provide visibility and presence on the battlefield, armorers began to build fantastic shapes on top of the simple helmets in "harikake," or lacquered paper over a wooden armature. These shapes mimicked forms from Japanese culture and mythology, including fish, cow horns, the head of the god of longevity, bolts of silk, head scarved, ichi-no-tani canyon, and ace heads, among many others. Some forms were realistically rendered, while others took on a very futuristic, modernist feel. A definitive show of Kawari Kabuto was mounted by the Japan Society in 1985. The catalog, entitled "Spectacular Helmets of Japan" (ISBN 0-87011-784-X is a good guide to this form).
Most Kabuto incor
porate a suspended neck guard called a "shikoro". This is usually composed of semi-circular lacquered metal or oxhide lames, attached and articulated by silk or leather lacing. This system of lames is the standard technology of defense employed, along with mail, for the body protection in Japanese Armor. Kabuto are often adorned with "Maedate" (Front Crests,) "Wakidate" (Side Crests) or "Ushirodate" (Rear Crests.) These can be family or clan emblems, or flat or sculptural objects representing animals, mythical entities, prayers or other symbols. Horns are particularly common, and many helmets sort "Kuwagata", or stylized deer horns, as seen in the attached illustration (in this illustration, the Kuwagata have been mistakenly transposed L-R). Upon the return of general peace under the Tokogawa Shogunate in the Edo Period, Armor became more elaborate and ceremonial. Many very luxurious armors were produced during this period, as well as a great number of simpler armors for lower ranking Samurai and foot soldiers. Fine armor continued to be produced up to the end of the Edo period in 1867, and slightly beyond. Later armors often emulated the garb of the romanticized Kamakura-Muromachi warriors.
porate a suspended neck guard called a "shikoro". This is usually composed of semi-circular lacquered metal or oxhide lames, attached and articulated by silk or leather lacing. This system of lames is the standard technology of defense employed, along with mail, for the body protection in Japanese Armor. Kabuto are often adorned with "Maedate" (Front Crests,) "Wakidate" (Side Crests) or "Ushirodate" (Rear Crests.) These can be family or clan emblems, or flat or sculptural objects representing animals, mythical entities, prayers or other symbols. Horns are particularly common, and many helmets sort "Kuwagata", or stylized deer horns, as seen in the attached illustration (in this illustration, the Kuwagata have been mistakenly transposed L-R). Upon the return of general peace under the Tokogawa Shogunate in the Edo Period, Armor became more elaborate and ceremonial. Many very luxurious armors were produced during this period, as well as a great number of simpler armors for lower ranking Samurai and foot soldiers. Fine armor continued to be produced up to the end of the Edo period in 1867, and slightly beyond. Later armors often emulated the garb of the romanticized Kamakura-Muromachi warriors.
Kabuto were a prominent and important part of the equipment of the bushi, and played a symbolic role, as well. This explains the number of expressions, sayings and codes related to them. A few examples follow:1. Katte kabuto no o o shimeyo ("Tighten the string of the kabuto after winning the war"): don't lower your efforts after succeeding. Could be compared to not to rest on one's laurels.
2. Kabuto o nugu ("to take off the kabuto"): to surrender.
Nowadays, smaller-sized Yoroi and Kabuto are bought and kept by Japanese people as a personal interior collection or a seasonal home decoration item displayed during the Boys' Festival/May 5 for expressing the hope that each boy in the family will grow up healthy and strong.
Kabuto in the West
The kabuto, with the German Stahlhelm, is the inspiration for the helmet of Darth Vader. Vader’s helmet, armour and robe is highly reminiscent of samurai armour. The helmet is taken directly from the menpō mask and kabuto helmet of a feudal samurai. Vader also wore an under-robe of black that resembled long, flared out pants, called hakama, a garment worn in feudal Japan. Warriors often wore wide-cut pants that grazed the floor, many times it has been erroneously said that these pants were used to hide the movements of their feet from the enemy but in all actuality they were the normal wear and not designed to hide the feet, or give the illusion of floating. In fact, the hakama was tucked up through the belt when a confrontation was imminent, just as the sleeves of the kimono were tied back with cord.
